Final Cut Pro has been Apple’s flagship video clip editing program for many years now yet Final Cut Pro X views a completely new version of it rebuilt from the bottom-up for 64-bit Apple computers.
Apple claims that Last Cut Pro features a revolutionary brand new video editing system centered around a Magnetic Timeline, which removes the problem of clip collisions and sync problems. This new Magnetic Timeline lets you edit on a flexible, trackless canvas while Content Auto-Analysis categorizes your content upon import by shot type, media and people. There’s also much less waiting around for rendering because Last Cut Pro X now facilitates background rendering while you get on with editing.
Final Cut Professional X is less fussy regarding importing footage than earlier versions. It now supports a broader range of formats including native AVCHD and H. 264 from DSLRs. Final Cut Pro X continues to be designed to squeeze every inch from 64-bit Macs and needs a minimum of 2GB of RAM but for bigger projects and richer effects, if you’re highly advised to have at least 4GB
The main interface continues to be given a fresh new Cocoa bottom, making it slicker and generally more reliable in its results although its increasingly looking much like iMovie. For some professionals, this may be a bit annoying as it does make Final Cut look and feel a bit more amateurish than previous versions. Those that film making use of multicams will also be delighted that within version 10. 0. 3, Final Cut Pro X finally supports it again.
Final Cut Pro X simplifies Apple’s famous video editor whilst making it a lot more powerful. However , devoted fans may not be delighted with almost everything that’s been changed. Beginners may well like it but professionals will feel it’s been dumbed-down too far.
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